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(1)

Is there posttonic stress in English?

Péter Szigetvári

Eötvös Loránd University, Budapest szigetvari@elte.hu

OCP17

2020-02-05

(2)

the issue

is the red ostressed?

EPD LPD K&K M-W cf

robot r´@wbot no no no yes Probert pr´@wb@t autopsy ´o:topsij no no no yes leprosy l´epr@sij apricot ´ejpr@kot no no yes yes advocate ´adv@k@t monsoon mons´uwn no yes no no platoon pl@t´uwn October okt´@wb@ no no no no opponent@p´@wn@nt novelettenov@l´et yes yes yes yes

(3)

why the confusion?

1. stress is asegmental/melodicphenomenon:

full vs reduced vowel, flapping vs its absence, syncope, epenthesis, loss of j, loss of w, etc

2. but “stress” is also used for a rhythmic/prosodicphenomenon:

involving feet, “stress” clash, “stress” shift, the tonic etc, let’s call this accent(like Vanderslice & Ladefoged 1972, Schane 1979, Gussenhoven 1991)

3. stress is a lexical property of certain vowels

4. the connection between stress and accent is only that accent usually (thought not always) falls on a vowel which is stressed

(4)

assumptions about the vowel inventory of BrE

1. “centring diphthongs” have all monophthongized: NEAR i:,

SQUARE e:,CUREo:/u:/@: (Cruttenden 2014)

2. FLEECE andGOOSEare not long monophthongs, but ijand uw (Sweet 1900)

3. “diphthongs” are VC (Trager & Bloch 1941) 4. STRUT is schwa (cf Fabricius 2007)

5. HAPPY-tensing (Wells 1982) has gone through:

*i{#,V}: happy alien h´apij ´ejlij@n

(also *u{#,V}: usual value j´uwZuw@l v´aljuw)

(5)

vowel categories in BrE: a phonotactic classification

checked

KITi,DRESSe,TRAP a,STRUT@,LOTo,FOOT u only before a consonant

“nonchecked”

NEARi:,SQUARE e:,START a:,NURSE@:,FORCE o:,CUREu:

before a consonantandword finally note 1

“diphthongs” are VC, vowels can’t occur next to each other at all (neon n´ıjon ≈Nissan n´ısanor vowel v´aw@l≈vassal v´as@l) note 2

unstressed@ is nonchecked: it occurs word finally

(6)

full vs reduced vowels

vowels that may occur unstressed: i @ u

KIT(comic k´omik),STRUT (comet k´om@t),FOOT (volume v´oljum)

FLEECE(volley v´olij),GOAT(willow w´ıl@w), GOOSE(value v´aljuw)

vowels that only occur stressed: e a o

DRESSe,TRAP a,LOT o

FACEej,PRICEaj,MOUTHaw,CHOICEoj

long vowels only occur stressed (i: @: u: e: a: o:) idea ajd´ıj@∼ajd´ı:,mature m@tS´uw@∼m@tS´u:,

Europeanj´uw@r@p´ıj@n∼j´u:r@p´ı:n,

butIndia´ındij@∼´ındj@, *´ındi:;usual j´uwZuw@l∼j´uwZw@l, *j´uwZu:l stress cannot be unambiguously guessed from vowel quality ugly ´@glij vsagree @gr´ıj

Kennedy k´en@dijvsKentucky kent´@kij colander k´@l@nd@vsColumbus k@l´@mb@s

(7)

vowel(+glide) alternations in English

ablaut sing∼sang,get∼got

umlaut full∼fill,goose guws∼geese gijs,man∼men vowel shift hide hajd ∼hid hid,tone t@wn ∼tonic t´onik vowel reduction ironic ajr´onik ∼irony ´ajr@nij,combine k@mb´ajn∼

combinationk´ombin´ejS@n

these alternations are not phonological, they are historic relics

◮ they are not systematic

idi[´o]tic∼idi[@]t vsrob[´o]tic∼rob[o]t t[@w]ne∼t[o]nic vsph[@w]to∼ph[@w]tic

◮ they are phonetically arbitrary (Kaye 1995)

(8)

accent is mobile, stress is stable

accent moves. . .

Taiwán ∼Táiwan míracle thirtéen∼thírteen chápters Piccadílly∼ Píccadilly Círcus . . . but only to a stressed vowel Madríd∼Madríd súmmit

betwéen∼ betwéen chápters cf

t´ajw´on vsm@dr´ıd T´@:t´ıjnvsb@tw´ıjn

(9)

stress is segmental/melodic: no flapping before stress

cartoonk`a:t´uwnvs cartoon network k´a:t`uwnn´etw`@:k latexl´ejt`eks vs latest l´ejR@st

levitatel´evit`ejt vs lemmata l´em@R@

Wotanv´@wt`an vs quota kw´@wR@

habitath´abit`atvs palatal p´al@R@l atoll´at`olvs atom ´aR@m

Minotaurm´ajn@t`o: vs monitor m´oniR@

autism´o:t`ız@m vs nautilus n´o:Ril@s

magnetismm´agn@t`ız@m vs magneticm`agn´eRik manateem´an@t`ıj vs vanityv´an@Rij

ketonek´ıjt`@wnvs mosquitom@sk´ıjR@w orotund´or@wt`@nd vs orator´or@R@

(10)

stress is segmental/melodic: syncope and epenthesis

no syncope before stress

memorym´em/@rij vs memorize m´em@r`ajz radicallyr´adik/@lij vs radicalize r´adik@l`ajz barbarousb´a:b/@r@s vs barbarism b´a:b@r`ız@m familyf´am/@lij vs jubileedZ´uwb@l`ıj

summarys´@m/@rijvs bummaree b´@m@r`ıj no epenthesis before stress

princepr´ınhtis vs princess pr`ıns´es insolent´ınhtis@l@nt vs insect´ıns`ekt consciousk´onhtiS@s vs insure inS´o:

Gimsong´ımhpis@n vs Gimsoniang`ıms´@wnij@n nymphetn´ımhpif@t∼n´ımhpifitvs n´ımf`et

(11)

stress is segmental/melodic: loss of [j] and [w]

[j]/palatality is lost after coronal C before stress volumev´oljuwm vs voluminousv@l´uwmin@s

Danubed´anjuwbvs Danubiand@n(j)´uwbij@n

congratulatek@ngr´atS@l`ejtvs AmE gratuitous gr@t´uwit@s assiduous@s´ıdZuw@svs AmE assiduity`as@d´uw@tij

valuev´aljuwvs absolute´abs@l`uwt venuev´enjuwvs revenue r´ev@n(j)`uw

statutest´atSuwt vs AmE constitutek´onstit`uwt

[w] is optionally retained before stress (and word finally) stimulusst´ımjul@s vs stimulatest´ımju(w)l`ejt

botulinb´otSulinvs botulismb´otSu(w)l`ız@m fortunatef´o:tSun@t vs fortunef´o:tSu(w)n

(12)

stress patterns of English: one- and two-vowel words (48%)

legend: w=unstressed,s=stressed,ś=accented source: http://cube.elte.hu

one-vowel words (10%)

w (.64%) and @nd (these are clitics, not words) ś (99%) ant ´ant

two-vowel words (38%) ww (0%)

św (54%): atom ´at@m wś (9%): amok @m´ok śs (30%): atoll ´at`ol sś (7%): antique`ant´ıjk

(13)

stress patterns of English: three-vowel words (30%)

www (0%)

1s: śww (28%): abacus´ab@k@s wśw (18%): abandon @b´and@n wwś (0%)

2s: śws (20%): acrobat´akr@b`at swś (6%): arabesque`ar@b´esk śsw (9%): ancestor´ans`est@

sśw (11%): ambition `amb´ıS@n wśs (2%): amortize@m´o:t`ajz wsś (.07%): returnee rit`@:n´ıj

3s: śss (3%): adumbrate´ad`@mbr`ejt sśs (1%): asbestos `azb´est`os ssś (2%): addressee `adr`es´ıj

(14)

so what?

◮ stress is binary, a vowel is either stressed or unstressed

◮ stress is a lexically specified property of vowels

◮ stress is stable, a lexically stressed vowel remains stressed, a lexically unstressed vowel remains unstressed

◮ accent is partly lexical (śs vssś,śwsvs swś, etc)

◮ accent is mobile (sś →śs / ś)

(15)

thank you for your attention

special thanks to

Karolina, Bartłomiej, & co, NKFI #119863, George Soros slides available at

http://seas3.elte.hu/szigetva/papers.html#ocp17

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